Quirky 19th-century Greenfield folk artist George Washington Mark came skipping back into my view recently, foot-free, like a flat stone skipped across a glassy summer pond.
Mark first appeared in an email message accompanied by a photo of one of his paintings, titled Sunrise. Then, a coincidental week later, an unrelated snail-mail package arrived at my doorstep from a Keene, New Hampshire return address that immediately caught my attention. The name on it was Terence Mark, pushing 90 at 87 years old.
At first, reading that return address in the upper lefthand corner of the large, padded envelope, I incorrectly associated it with the emailer, whose name I couldn’t remember. Curious about this cyberspace stranger, where he lived, and how he had found my December 2023 Reporter column about the peculiar G.W. Mark, I had responded promptly with a few questions that to this day remain unanswered.
Perhaps, I surmised, this package was his response to my email queries.
I sliced open the envelope with a knife, sat down with it in my comfy leather recliner and immediately dug in, quickly reading through the neat, four-page, handwritten letter inside. As it turned out, Terence Mark, a genealogy hobbyist with the same surname as the Greenfield folk artist, had for decades unsuccessfully attempted to connect to the artist. Perhaps I could help, he hoped, concluding his letter with a telephone number written below his signature.
At about 10 a.m., after breezing through all the material he had sent, mostly copies of personal genealogical information he had assembled over the years, I called his phone number. The call went to his answering machine, but he answered as I was leaving a short message.
What followed was an entertaining hour-long chat, during which I ascertained that he was not the sender of the week-old email query. There were simply two different, rapid-fire respondents to my same months-old local column. After sharing that reality with him, he was curious who the other fella was. So, I went to my email, found the message, and shared the sender’s name, which I will not print, before resuming our captivating discussion.
(Why my hesitancy to out the emailer? Simple etiquette. I didn’t want to even tiptoe past confidentiality issues.)
Speaking to Terence Mark, I discovered that he had submitted a copy of the first of my two Reporter columns about G.W. Mark to the monthly McCurdy Family Association Newsletter, printed in Canada. He thought it might be of interest to the membership because of numerous, recorded genealogical links between the New Hampshire McCurdy and Marks families over the years.
The McCurdy newsletter printed the column in full in its September 2025 issue. Given that fact, Terence Mark opined that it may have been the impetus for the email I received. Perhaps, he speculated, the email respondent was a subscriber, or knew one who had alerted him to the piece. Because the emailer had an obvious French surname, it sounded possible to me. Plus, the timing was right, not to mention the secretive sender’s decision to leave my answers unanswered.
I can understand the man’s secrecy. His Mark-attributed allegorical painting of a lonely peak penetrating fluffy white clouds was purchased at the sale of an important folk-art aficionado’s collection, and likely fetched a steep price. For obvious reasons, private art collectors choose not to publicize the location of their artworks. Hey, if priceless masterworks can be pilfered in the light of day from a famous Paris museum, how safe is valuable art on display in private homes and offices?
Upon reading my mystery man’s email and Googling his name, including his middle initial, to see if he was local, my quick online search proved fruitless. No one by his name lived within 50 miles of Montague, suggesting that he likely didn’t find my column on a local newsstand.
His email and color photos immediately spun my cranial wheels back to threads left dangling from my previous G.W. Mark research, which had been unleashed by my discovery of a whimsical oil-on-canvas painting of a spirited hound dog with direct connections to my own upper Greenfield Meadows property.
Salient among my lingering threads of discovery was the unknown burial place of Mark and his 700-pound metal coffin, known to many patrons of his Greenfield shop. He had explained that he didn’t want to encumber anyone with burial expenses. What he didn’t tell them was that he had no desire to publicize his final resting place, either.
Many mysteries about the Greenfield folk artist will likely never be solved – prominent among them his date of birth and his father’s gravesite. It is accepted that G.W. was born in Charlestown, New Hampshire to John and Hannah (Thomas) Mark in 1795, despite conflicting online reports of birth years 1798 and 1799 in neighboring communities. A major stumbling block is that Charlestown is a well-known genealogical “black hole,” as an 1840s Town Hall fire destroyed the town’s vital records dating back a century to the historically important Fort at No. 4.
It now seems possible that G.W. Mark’s mysterious burial place could be within reach with a little detective work. What we know for sure is that, according to his 1879 Greenfield Gazette and Courier obituary, he and his cumbersome casket were shipped to Charlestown, presumably, given its weight, by rail.
When I did a little poking around a couple of years ago, I found clues that strongly suggested a certain Springfield, Vermont cemetery as his final resting place. Some 13 years before his death, Mark had purchased gravestones there for his long-dead mother and younger brother, both of whom he had lost in early childhood.
I had planned to dig deeper – no pun intended – for G.W.’s mysterious gravesite, but had procrastinated. The recent email in my inbox was the impetus that nudged me to finally, for the first time, reach out to the Springfield town clerk, who encouraged me to explore her Town Hall burial records at my convenience. Though not certain, she suspected that current policy mandating records for all Vermont burials was in effect in the late 19th century, too. Thus, she speculated that Mark’s unmarked grave would be listed if he is buried there, and there would be no need for a metal detector to sniff out his distinctive coffin.
In no rush, I figured I’d wait till the weather warms and coordinate my probe with a trip to a nearby New Hampshire auction house. However, recent developments may speed the visit if I want to get there before Terence Mark does. He closed his four-page, cursive letter with the possibility of he himself exploring the Mark plot in Springfield’s oldest burial ground, which is much closer to him than me.
One never knows: maybe we’ll go together. I’d like to meet the man.
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